Movement in Painting, Balla's "Dog on a Leash"

In prior posts, I discussed ways to achieve movement in paintings. In his painting, Dynamism of a Dog on a Leash (1912), Italian artist Giacomo Balla used several techniques to obtain the appearance of motion. Balla used vague contours in this painting. He also used repetition of shape and he overlapped these shapes. The dog’s legs and woman's feet are a blur of many images. Balla also used insecure placement. There is no cast shadow. (N. Goldstein, Design and Composition). Artists have used many methods to achieve movement.

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