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Saturday, 14 September 2013

Repetition, Unity & Movement in Art: Painting City Road



This is my painting City Road.  I wanted to maintain the shapes and forms as well as show the vehicles on the road.  In this painting, the front green car is similar in color to the building it overlaps. This creates unity and movement from the foreground car to the background. The red hue (color) of the streetcar is also repeated in the taillights of the green car, the reflection on the road, the foreground light and in the two signs. The yellow hue is repeated.  Repetition gives the painting unity and movement. The view is Toronto at Dundas St., the south east side and Spadina.

This is a digital painting using mainly traditional oil painting techniques and a painterly approach. I used virtual brushes and paints on coarse cotton canvas (Corel Painter 12 and Wacom Intuos5 drawing pen and tablet). I worked with mainly impasto and oil brushes.
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Monday, 22 July 2013

Night Sky and Light Sources, My Painting Night Tower



This is my painting Night Tower. I wanted to paint the forms of the Tower and buildings against the dark night sky and several light sources.  This painting was done using a partial abstract method. The Tower should be more muted. I painted it light; the edges were not blended into the night sky. This was intentional on my part. There are several light sources from the windows and signs. I simplified the shapes of the buildings.  There are unseen light sources from the street lamps at the bottom of the painting. This makes both front sides of the buildings light. I added a figure to balance the painting and the geometric shapes. All hues and values were repeated in the painting.  I went back to this street during the night and day. This is Toronto’s CN Tower.  The view is from Queen St. at the north side and down Duncan St.

This is a digital painting using mainly traditional oil painting techniques and a painterly approach. I used virtual brushes and paints on coarse cotton canvas (Corel Painter 12 and Wacom Intuos5 drawing pen and tablet). I worked with mainly impasto and “real oil” brushes.

You can receive updates of my posts by email or by subscription. Subscribe in the right upper widgets (http://artbyarlene.blogspot.com). Forward this article to interested friends and family.  Also join my Facebook Fan Page (http://www.facebook.com/pages/Arlene-Babad/140627012279 ).  Follow me on Twitter (http://twitter.com/artbybabad). Keep informed of sales.
                              

Buy fine art prints of my paintings; select support (archival art paper, canvas, more) and size.  http://arlene-babad.fineartamerica.com  See my shop app on my Facebook Fan page.
 
Buy images of my paintings on items, i.e. posters on paper or canvas, greeting cards, postcards, shirts and mugs. Customize style, color, border and more. If you are on another Zazzle site, i.e. Zazzle.ca, you can buy my items. http://www.zazzle.com/arlenebabadartist*   


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Wednesday, 26 June 2013

Unity & Balance in Art, My New Painting City Crosswalk



This is my new painting City Crosswalk. I was attracted by the pattern created by the crosswalk.  My initial concern was that I might divide my painting into two sections because of the busy upper part. My critique group did not feel I divided the painting and liked the use of the figure (my focal point) and the simplified buildings. Viewers enter my painting by the crosswalk and can exit by the sky. I used loose, expressive brush strokes and color mixes wet in wet. On this particular day, there was no sunlight. I added sunlight to maintain the forms of the buildings. 

One person’s critique of my painting: 

“The upper half is not "busy" (IMHO) because the values and colors keep the eye relaxed, not bouncing up & down skyscrapers.

The gentle use of orange on the far left car balances the person's coat just right. The car windows balance the hair and pants. The violet of the other car is balanced in the far left building and elsewhere.

I don't know if you planned all this beforehand, or if it is the result of training or natural instincts. But it seems "just right", one of those perfect compositions that look deceptively simple but is never that simple. A great piece.”

 This is a digital painting using mainly traditional oil painting techniques and a painterly approach. I used virtual brushes and paints on coarse cotton canvas (Corel Painter 12 and Wacom Intuos5 drawing pen and tablet). I worked with mainly impasto and “real oil” brushes.

You can receive updates of my posts by email or by subscription. Subscribe in the right upper widgets (http://artbyarlene.blogspot.com). Forward this article to interested friends and family.  Also join my Facebook Fan Page (http://www.facebook.com/pages/Arlene-Babad/140627012279 ).  Follow me on Twitter (http://twitter.com/artbybabad). Keep informed of sales.
                            

Buy fine art prints of my paintings; select support (archival art paper, canvas, more) and size.  http://arlene-babad.fineartamerica.com  See my shop app on my Facebook Fan page.

Buy images of my paintings on items, i.e. posters on paper or canvas, greeting cards, postcards, shirts and mugs. Customize style, color, border and more. If you are on another Zazzle site, i.e. Zazzle.ca, you can buy my items. http://www.zazzle.com/arlenebabadartist*   

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